Carolingian / Plaque with Saint John the Evangelist / early 9th centuryCarolingian
Plaque with Saint John the Evangelist
early 9th century

View Larger Image

View Full Catalog Record Below



This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library™), a growing online collection of high-quality, digital art images from over 20 museums around the world. www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
 
Preview the AMICA Library™ Public Collection in Luna Browser Now

  • Cultures and time periods represented range from contemporary art, to ancient Greek, Roman, and Egyptian works.
  • Types of works include paintings, drawings, watercolors, sculptures, costumes, jewelry, furniture, prints, photographs, textiles, decorative art, books and manuscripts.

Gain access to this incredible resource through either a monthly or a yearly subscription and search the entire collection from your desktop, compare multiple images side by side and zoom into the minute details of the images. Visit www.davidrumsey.com/amica for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amica@luna-img.com .



Creator Nationality: European; Carolignian
Creator Name-CRT: Carolingian
Title: Plaque with Saint John the Evangelist
View: Full View
Creation Start Date: 800
Creation End Date: 833
Creation Date: early 9th century
Object Type: Sculpture
Classification Term: Ivories
Materials and Techniques: Elephant ivory
Dimensions: 7 3/16 x 3 3/4 in. (18.3 x 9.5 cm)
AMICA Contributor: The Metropolitan Museum of Art
Owner Location: New York, New York, USA
ID Number: 1977.421
Credit Line: The Cloisters Collection, 1977
Rights: http://www.metmuseum.org/
Context:

Until 1977, when it appeared at a London auction, this ivory from the Carolingian "Renaissance" was unknown. Carved in high relief, the frontally enthroned Evangelist displays his Gospel with the opening phrase IN PRINCI / PIO ERAT / VERBVM ("In the beginning was the Word" [John 1:1]. The arch, with its rich acanthus decoration, is supported by elaborate columns and encloses John's symbol, the eagle, which is directly above him. The entire composition is framed by a simple inscribed border. The text of this inscription is based on a line from the "Carmen Paschale," a poem by the fifth-century Christian writer Sedulius.

Among the remarkable features of this ivory are John's loose, classical pallium and mantle, whose calligraphic treatment and plasticity verge on pure fantasy. This tendency toward a sumptuous ornamental effect, in which the abundant drapery patterns and textures take on a life of their own, becomes a characteristic of several ivories of the Court School of Charlemagne (r. 768-814).

Artistically, these ivories are very close to the manuscripts produced in Aachen for the court of Charlemagne; this resemblance suggests that they probably were carved there. Some scholars have maintained that some of these ivories may date into the reign of his successor, Louis the Pious (814-840).


AMICA ID: MMA_.1977.421
AMICA Library Year: 2000
Media Metadata Rights: Copyright The Metropolitan Museum of Art

AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.

Home | Subscribe | Preview | Benefits | About | Help | Contact
Copyright © 2007 Cartography Associates.
All rights reserved.