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Gain access to this incredible resource through either a monthly or a yearly subscription and search the entire collection from your desktop, compare multiple images side by side and zoom into the minute details of the images. Visit www.davidrumsey.com/amica for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amica@luna-img.com . Creator Nationality: Asian; Indian Sub-Continent; Indian Creator Dates/Places: Eastern Indian Creator Active Place: Eastern Indian Creator Name-CRT: Eastern Indian Title: Four Leaves from an Ashtasahasrika Prajnaparamita Manuscript. Leaf A: Manjushri. Leaf B: Prajnaparamita. Leaf C: Tara. Leaf D: A Dharmapala View: Full View Creation Start Date: 1151 Creation End Date: 1200 Creation Date: c. 1151-1200 Creation Place: India, Bihar or Bengal Object Type: Drawings and Watercolors Materials and Techniques: Ink and opaque watercolor on palm leaf Dimensions: Each 3 x 17 1/4 in. (7.6 x 43.8 cm) AMICA Contributor: Asia Society Owner Location: New York, New York, USA ID Number: 1979.053.1-4 Credit Line: Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection Rights: http://www.asiasociety.org Context: The four leaves of this eastern Indian manuscript of the Ashtasahasrika Prajnaparamita Sutra can be dated to about 1151-1200 by the rather static and stylized positions of the deities, the sketchy treatment of their faces, and the decorative background details. The ends of the leaves, as well as areas around the string holes, are decorated with geometric patterns or small images of lotuses, stupas, and animals. The deities illustrated are Manjushri, Prajnaparamita, Tara, and a dharmapala, or guardian of the law. The last named is blue, wears a tiger skin, and has four arms. He holds a ritual implement known as a vajra (thunderbolt) and a lasso in two of his hands. These implements and the tiger skin are attributes generally associated with Mahakala, and it is possible that this is an early image of this important deity. Protective deities such as Mahakala, as well as female divinities such as Prajnapramita and Tara, play important roles in the branch of Buddhism known as Tantric Buddhism or Vajrayana. This school, which is best known today as the religion practiced in Tibet and other Himalayan regions, flourished in eastern India under the rule of the Pala kings, and it has been suggested that the development of illustrated manuscripts during this period may reflect that of Vajrayana Buddhism, which makes greater use of images in its practices and has a more complicated pantheon that includes female deities. Since the images of deities in manuscripts such as this one have no illustrative relationship to the written text, they may have been intended for use in meditation as well as for protecting the manuscript and his owner. The commissioning of such manuscripts was a meritorious act intended to enhance the spiritual well-being of the donor of the manuscript, the artist and the scribe who created it, and all who saw and used the book. Related Document Description: Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 27. Related Document Description: Pal, Pratapaditya, and Julia Meech-Pekarik. Buddhist Book Illuminations. New York: Ravi Kumar, 1988, pp. 69, 72, 80. AMICA ID: ASIA.1979.053.1-4 AMICA Library Year: 1998 Media Metadata Rights: Copyright, Asia Society AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder. Home
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