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Gain access to this incredible resource through either a monthly or a yearly subscription and search the entire collection from your desktop, compare multiple images side by side and zoom into the minute details of the images. Visit www.davidrumsey.com/amica for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amica@luna-img.com . Creator Name: Rodin, Auguste Creator Dates/Places: French, 1840 - 1917 Creator Name-CRT: Auguste Rodin Title: The Sirens View: Full View Creation Start Date: 1886 Creation End Date: 1890 Creation Date: c. 1888 Object Type: Sculpture Materials and Techniques: marble Dimensions: Overall: 17 x 17 1/2 in. (43.18 x 44.45 cm.) Diameter: 12 in. (30.48 cm.) AMICA Contributor: Dallas Museum of Art Owner Location: Dallas, Texas, USA ID Number: 1985.R.65 Credit Line: Dallas Museum of Art, The Wendy and Emery Reves Collection Rights: http://www.DallasMuseumofArt.org Context: Rodin's Sirens lure us today with their undulating bodies and mute songs. In linking desire with death they tell us more about the psychosexual anxieties of the fin de siècle than they do about classical mythology. The group of three women was featured in miniature in Rodin's "Gates of Hell," where they appear on the left side of the left panel as it was reconfigured in the 1890s. When Rodin first conceived them in 1888, he worked to create a definitive plaster, which was used as the basis for a large number of bronze casts and studio marble versions. He then miniaturized them, and placed them in his aesthetic prison, "The Gates of Hell.""The Sirens" was first exhibited as "Niobe" before becoming "The Three Sirens" in 1900. In the catalogue for that year's immense Rodin exhibition, they were related to a more recent love-death concoction, the Rhine maidens of Richard Wagner's operas. The sheer beauty of the group and their comparative simplicity of meaning must have appealed to many collectors of Rodin's work. At least five marble versions survive, all created by studio assistants in Rodin's immense and utterly professional atelier. In addition to the version in the Reves Collection, other marble translation with various bases can be found at the Musée des Beaux Arts, Montreal; the Ny Carlsberg Glyptotek, Copenhagen; and the Thielska Gallery, Stockholm. All were carved from similar milky-white crystalline marble, which was superbly polished to encourage the viewer's tactile desires."Impressionist Paintings Drawings and Sculpture from the Wendy and Emery Reves Collection," page 133 AMICA ID: DMA_.1985.R.65 AMICA Library Year: 2003 Media Metadata Rights: AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder. Home
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