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Gain access to this incredible resource through either a monthly or a yearly subscription and search the entire collection from your desktop, compare multiple images side by side and zoom into the minute details of the images. Visit www.davidrumsey.com/amica for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amica@luna-img.com . Creator Name: Gong Xian Creator Nationality: Chinese Creator Role: Artist Creator Dates/Places: c. 1619 - 1689 Gender: M Creator Name-CRT: Gong Xian Title: Landscape in the Style of Tung Yüan and Chü-jan Title Type: Former Title: Landscape in the Style of Dong Yuan (active about 937-975) and Juran (active about 960-985) Title Type: Primary View: Full View Creation Start Date: 1645 Creation End Date: 1655 Creation Date: c. 1650 Object Type: Paintings Classification Term: Painting Materials and Techniques: hanging scroll, ink with white on silk Dimensions: Image: 216.4cm x 57.5cm, Overall: 288.2cm x 89.5cm Inscriptions: Artist's inscription, signature, and 4 seals: Among [early] painters, Tung Yüan and Chü-jan were the actual founders of the Southern school. Their paintings display neither any air of ferocity and aggressiveness nor any trace of stiff meticulousness. Painters of later periods may be known for their natural talents or praised for their observance of established traditions. Only Tung Yüan and Chü-jan came close to the Tao. However, those who indulge in showing off their talent will deviate from the tradition, while those who adhere to tradition will alienate themselves from the Tao. The supreme Tao is inexplicable in words. Some critics argue that the Tao is nothing more than the suppression of personal talent [individuality] and the submission to the laws [traditions]. Should we have brought this question up to Tung Yüan and Chü-jan, I am afraid even they would have no answer. Alas, how difficultly subtle! This painting, which is an old work of mine done twenty years ago, has been in the collection of the Wu family in Hsin-an [Anhui Province]. Mr. Wu Tsin-ming has valued it as a family treasure. He brought it to Chin-ling [Nanking] and asked me to write an inscription. Since I discussed painting [theories] with Tsin-ming and touched upon the subject [of the Tung-Chü tradition], I shall record what I said - not that I dare to claim that this painting is an imitation of Tung-Chü with any merit. At the end of winter of the keng-hsü year [1670]. Pan-mou chü-jen, Kung Hsien [2 seals] Kung Pan-ch'ien; Yeh-i Hsien. [seal, lower left corner] Kung Hsien. [seal above, undecipherable, but probably a seal of Kung Hsien].trans. WKH2 additional seals of Ch'eng Ch'i (20th c.). AMICA Contributor: The Cleveland Museum of Art Owner Location: Cleveland, Ohio, USA ID Number: 1969.123 Credit Line: Andrew R. and Martha Holden Jennings Fund Rights: http://www.clemusart.com/museum/disclaim2.html Provenance: Ch'eng Ch'i AMICA ID: CMA_.1969.123 AMICA Library Year: 2002 Media Metadata Rights: Copyright, The Cleveland Museum of Art AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder. Home
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