 | Katsukawa Shunsho The actors Sawamura Sojuro II as the priest Shunkan and Azuma Tozo II as Oyasu in act three of the play Hime Komatsu Ne no Hi Asobi (Outing to Pick Pine Seedlings on the Rat-Day of the New Year) Performed at the Ichimura Theater from the ninth day of the ninth month, 1768
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Creator Name: Katsukawa, Shunsho
Creator Nationality: Asian; Far East Asian; Japanese
Creator Role: Artist
Creator Dates/Places: Japanese; 1726-1792 Asia,East Asia,Japan
Creator Active Place: Asia,East Asia,Japan
Creator Name-CRT: Katsukawa Shunsho
Title: The actors Sawamura Sojuro II as the priest Shunkan and Azuma Tozo II as Oyasu in act three of the play Hime Komatsu Ne no Hi Asobi (Outing to Pick Pine Seedlings on the Rat-Day of the New Year)
Title Type: preferred
View: Full View
Creation Start Date: 1768
Creation End Date: 1768
Creation Date: Performed at the Ichimura Theater from the ninth day of the ninth month, 1768
Creation Place: Asia,East Asia,Japan
Object Type: Prints
Classification Term: Woodblock
Materials and Techniques: Woodblock print.
Dimensions: Hosoban; 31.7 x 14.3 cm
Inscriptions: SIGNATURE: Shunsho gaARTIST'S SEAL: Hayashi in jar-shaped outline
AMICA Contributor: The Art Institute of Chicago
Owner Location: Chicago, Illinois, USA
ID Number: 1925.2410
Credit Line: The Art Institute of Chicago, The Clarence Buckingham Collection
Rights: http://www.artic.edu/aic/rights/main.rights.html
Context: Shunkan, head monk of the Kyoto temple Hosho-ji, was a historical figure who in 1177 was exiled to the remote island of Kikaigajima for his part in an unsuccessful plot against the Taira clan's domination of court and government. Though his co-conspirators were soon pardoned, Shunkan was left on the island to die. This tragic episode became the basis for a medieval No play which was later reworked into much more elaborate Bunraku and Kabuki versions.In the Kabuki play Shunkan manages to escape his islandexile on a secret mission to guard the emperor's concubine Kogo no Tsubone while she gives birth to a royal heir in a remote retreat at Horagadake. Since they will need a midwife, Shunkan enlists the services of a village girl called Oyasu, who fortunately is a secret supporter of the Genji cause. Oyasu wishes to learn the true identity of Shunkan and the noblewoman who is to give birth. In order to demonstrate her trustworthiness, she is about to swear an oath of secrecy on a pair of metal hand-mirrors,just as a warrior would swear on his sword. Fearful of revealing his secret, Shunkan stays her hand, but as he catches sight of his aged features in one of the mirrors the story of his lonely banishment inadvertently slips out (the scene shown here). With Oyasu's assistance the little prince is born safely into the world.Though both figures are drawn with the somewhat stiff and unyielding line common in his earliest prints, Shunsho makes much of the contrast between them. Sojuro II, his stern, almost fierce expression accentuated by dramatic makeup and his sword gripped resolutely in one outflung hand, looms hugely over the small, white-faced Tozo II, who looks open and vulnerable and whose mirror dangles weakly from her hand. Gookin observes that this is probably Shunsho's earliest print showing a female character. Certainly actors in male roles must have been far easier to portray as recognizable individuals than actors in female roles - who tended to look very much alike under the necessary white powder and wig.
AMICA ID: AIC_.1925.2410
AMICA Library Year: 1998
Media Metadata Rights:
Copyright The Art Institute of Chicago, 1998
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