This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at amica@luna-img.com
.
Creator Name: Unknown
Creator Nationality: European; Southern European; Greek
Creator Role: Sculptor
Creator Name-CRT: Artist unknown
Title: Grave Stele
View: front
Creation Start Date: -49
Creation End Date: -40
Creation Date: 5th century B.C.
Creation Place: Athens
Creation Place: The Kerameikos
Object Type: Sculpture
Materials and Techniques: marble
Dimensions: H.33-3/4 X W.13-5/8 x D.4-7/8 in.
AMICA Contributor: The Minneapolis Institute of Arts
Owner Location: Minneapolis, Minnesota, USA
ID Number: 31.4
Credit Line: The Ethel Morrison Van Derlip Fund
Rights: http://www.artsmia.org/restrictions.html
Context: This gravestone, or stele, came from a street of tombs immediately outside the walls of Athens known as The Kerameikos. The inscription identifies the man as Philomelos and the woman as Plathane. Unlike the funereal art of many other civilizations, Greek monuments emphasized life rather than death -- the memory of the dead in the minds of the living. The couple is shown either in the act of departing from one another in this world or greeting one another in another world, united forever in death by the affectionate gesture of their touching hands. Low relief carving was particularly suited to the restrained emotion of funereary shafts of this type. The shallow projection of the forms is still sufficient to indicate the three-dimensional quality of the figures and the architectural setting.
AMICA ID: MIA_.31.4
Component Measured: overall
Measurement Unit: in
AMICA Library Year: 1998
Media Metadata Rights:
?The Minneapolis Institute of Arts
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Home
| Subscribe
| Preview
| Benefits
| About
| Help
| Contact
Copyright © 2007 Cartography Associates.
All rights reserved.
|